| Pym | |
|---|---|
Book cover |
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| Author(s) | Mat Johnson |
| Country | United States |
| Language | English |
| Subject(s) | Social criticism, satire, adventure, fantasy |
| Genre(s) | Fiction |
| Publisher | Random House / Spiegel & Grau |
| Publication date | March 1, 2011 |
| Pages | 336 |
| ISBN | ISBN 978-0-8129-8158-2 |
Pym is the third novel by American author Mat Johnson, published on March 1, 2011. A satirical fantasy inspired by The Narrative of Arthur Gordon Pym of Nantucket, Edgar Allan Poe's only novel, the book explores racial politics and identity in America, and Antarctica. The novel was written over a period of nine years and has been well received by critics, who have praised its lighthearted and humorous style of social criticism.
Contents |
Pym takes its title from Edgar Allan Poe's The Narrative of Arthur Gordon Pym of Nantucket, "a strange tale of shipwrecks, mutiny and a mysterious island inhabited by black-skinned people whose teeth are even black, and it ends abruptly at the South Pole with Pym facing haunting white figures".[1] Poe's only novel, it is the favorite book of Johnson's protagonist, Chris Jaynes, African-American professor of literature,[2] and his obsession with it leads him on his own journey to Antarctica.[3]
According to Johnson, creating the book involved "9 years of writing, 16 drafts, [and] 3 deletion attempts […]"[4] While working on Pym, Johnson also finished three critically acclaimed graphic novels – Hellblazer: Papa Midnite (2005), Incognegro (2008), Dark Rain: A New Orleans Story (2010) – and a fourth, as yet unnamed graphic novel scheduled for publication in 2012.[5] In an interview with Mike Emery, Johnson stated that there were many times when he thought that Pym "was taking too much of my time, and it was taking me in the wrong direction".[5] He credits his wife, journalist Meera Bowman Johnson (to whom he dedicated Pym),[6] and friends with convincing him to continue with the novel.[5]
Johnson's website features a list of books by other notable writers inspired by Poe's open-ended novel since its publication in 1838, including Herman Melville's Moby Dick, H. P. Lovecraft’s At the Mountains of Madness, and Jules Verne's An Antarctic Mystery – "the most pragmatic and literal sequel to The Narrative of Arthur Gordon Pym and also the worst sequel […] Come for the novelty, stay for the unbridled racism".[7] The narrative of Pym also includes elements from Verne's and Lovecraft's Poe-inspired works.[8]
In Pym, Johnson's protagonist named a course on Poe he was teaching in reference to Toni Morrison's 1992 collection of essays Playing in the Dark: Whiteness and the Literary Imagination, in which she explores the theory that for Poe, whiteness equalled perfection.[5] Professor Jaynes's course, "Dancing With the Darkies: Whiteness in the Literary Mind", attempted to trace the roots of America's failure to become a postracial society to classic white texts, with a focus on Poe.[9]
Chris Jaynes is the only African-American professor of literature at a liberal Manhattan college.[3][10] Refusing to limit his teaching to the African-American canon and serve on the college diversity committee, he is denied tenure.[9] His obsession with Poe's novel comes to a head when a friend introduces him to a copy of "The True and Interesting Narrative of Dirk Peters. Coloured Man. As Written by Himself.",[3] "an unpublished 19th-century manuscript that suggests Poe's novel, which was partially set in Antarctica, was drawn closely from truth".[10] Jaynes assembles an all-black mining crew[5] and embarks on an expedition to the South Pole in search of Poe's fabled island of Tsalal,[2] the "great undiscovered African Diasporan homeland ... uncorrupted by whiteness."[8][10]
The quest is led by the protagonist's older cousin Captain Booker Jaynes, "the world’s only civil rights activist turned deep-sea diver",[11] who is planning on mining blocks of Antarctic ice to melt and sell as expensive bottled water.[8] Garth Frierson, Jaynes's childhood best friend[12] with a fondness for Little Debbie snack cakes, joins the team in the hope of finding landscape painter Thomas Karvel, and in part, Pym is laid out as "a road story/bromance between Jaynes and his childhood pal".[13] Other members of the expedition include water treatment engineers Jeffree and Carlton Damon Carter,[11] a gay couple documenting the trip for their "Afro-adventure blog".[13] Angela Latham, a lawyer and Jaynes's "much-pined-for"[11] ex-girlfriend, brings along her new husband Nathaniel, treating the venture as a honeymoon.[13] But instead of the black inhabitants described by Poe, Jaynes and his friends come across "a prehistoric world of giant white people, or 'Snow Honkies', who enslave them."[9]
Pym has been well received by critics, with Kirkus Reviews referring to it as "an acutely humorous, very original story that will delight lovers of literature and fantasy alike"[3] and NPR's Maureen Corrigan calling it "loony, disrespectful, and sharp" and "a welcome riff on the surrealistic shudder-fest that is Poe's original."[9] According to Associated Press writer Jennifer Kay, Pym is a swiftly paced satire which "skewers Edgar Allan Poe, race in America, the snack-food industry, academia, landscape painting and abominable snowmen."[1] She concluded, "A commentary on racial identity, obsessions and literature should not be as funny as Pym, but Johnson makes light work of his heavy themes."[1] Adam Mansbach, writing for The New York Times, similarly stated, "It's no easy task to balance social satire against life-threatening adventure, the allegory against the gory, but Johnson's hand is steady and his ability to play against Poe's text masterly."[11]
Michael Dirda, for The Washington Post, called the novel "exuberantly comic", concluding that "in its seemingly effortless blend of the serious, comic and fantastic, Johnson's Pym really shouldn't be missed".[8] Maggie Galehouse, book editor of the Houston Chronicle, called Pym "… funny. And erudite, without condescension", stating that while there is "no shortage of thought and scholarship and experience underpinning Pym", reading it "is like opening a big can of whoop-ass and then marveling – gleefully – at all the mayhem that ensues."[13] Joe O'Connell, in the Austin-American Statesman, called Johnson "a wizard", stating that the novel cast a "magical spell", and described it as "a rumination on America's ongoing problem of race, and an excellent modern picaresque sprinkled liberally with comic book action. Most of all, it's a sublimely written comic novel and a lot of fun."[14] Publishers Weekly, in a starred review, described Pym as a "high-concept adventure" which provides "a memorable take on America's 'racial pathology' and 'the whole ugly story of our world'."[10]